Hangman

‘C?’ he says.

            C is for Claire. That’s her name. The other woman.

‘Nope.’ The gallows and most of the stick man are already finished. I draw a wiggly line for his mouth to indicate fear and trepidation. ‘One more mistake and you’re dead.’

I try to deliver the line pointedly, with ominous eye-contact, but Steve’s attention is drawn to the other side of the waiting room, where the only other person, ‘Tim Barrett,’ is being called in to see the dentist. Tim Barrett puts down the out-of-date issue of Marie Claire magazine that he has been pretending to read – precisely the reason we have resorted to pen-and-paper games – and follows the assistant into one of the clinics. A muffled greeting and a waft of disinfectant mixed with dust escape the room before the door clicks shut. There are only two dentists in this surgery, so this means Steve is next. He thinks I can’t tell, but I know his hands are sweating because he’s wiping them on his jeans.

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Well, that’s one answer, I guess

Steve sat back with a hearty sigh.

“I,” he said, “don’t have an answer. Don’t have any inspiration either. The series is finished. This was a guaranteed BAFTA winner; the camerawork’s exquisite, for once the animals mostly behaved, the narration… well, I don’t need to add anything there, the man’s a legend. There’s just that one little problem, and I…”

“I know,” Jennifer interrupted. “This isn’t a disaster quite yet, but it’s close. So, what are you going to do? I mean, we can’t have titles with no music, let alone that footage… which you’re right, is beautiful, and kudos to the team for it… but you’ve got some budget left, yeah?”

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