Bob Hawkins nudged his empty pint glass across the beaten copper of the barroom table. Opposite him sat Jim “Kipper” Jones, whose weather-beaten face was an object lesson in why digging roads through West Wales winters was no career for an aspiring film star, especially not after thirty years. Bob was no picture himself, either. His lived-in face topped a scrawny frame wrapped in a Gannex mac two sizes too big, fished from the back rail of an Oxfam shop fifteen years earlier.