It was after the phone call informing me of the sixth divorce that I looked into my family history.
Sure enough, my mother confirmed I’m from a long line of bad-omen bridesmaids. We stretch out through time like twisted trees in a forest. Every single union attended by one of us as part of the wedding party has ended, sooner or later, in divorce.
But damn, do we look good in taffeta.
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At the crossroads on the outskirts of town is the shop. A grey-haired woman, hesitant at its door, whispers on entering, ‘I’m Mabel Bennett.’
Mrs Griffiths mentally notes: this one is nervous.
The shop is small from the street but its inside is capacious. Mabel’s first impression is of a greenhouse, pregnant with blooming white flowers. Closer inspection reveals racks where the gowns huddle silently, each awaiting a body to fill them, to walk and twirl in them, display them to a crowd – though just one human might suffice.
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