Creation

            ‘Jed Newton. The hospital? Yes that’s right the wife’s on the list. We was told she’d be a proper good match in the right circumstances but… What? An opportunity has…? I’m not following you, mate. Listen now, she was informed the chances weren’t great due to the rarity of… What? A dying woman has what…? Are you saying Tracy can have her womb transplant?’

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Museum of

The aboriginal spear looked unsettled in its pristine glass case. Visitors circled it like an enemy surrounding it’s prey. “Kangaroo skin” they murmured after reading the description, “seventeenth century… I wonder if they used it to kill emus” they continued before drifting away.

David stood nearby, rolling his eyes inwardly. As a security guard at the Museum of Ethnic Art it was easy for him to hide in plain sight. Not unlike his Aboriginal ancestors did in the scrub when hunting using a spear like the one displayed.  David recognised this weapon, a woomera, as one used by his people for hunting, fishing, fighting, punishment and as a symbolic marker of masculinity.

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Good in Taffeta

It was after the phone call informing me of the sixth divorce that I looked into my family history.

            Sure enough, my mother confirmed I’m from a long line of bad-omen bridesmaids. We stretch out through time like twisted trees in a forest. Every single union attended by one of us as part of the wedding party has ended, sooner or later, in divorce.

But damn, do we look good in taffeta.

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In Wales, We Call March Tuesday

For three years, the paintings had been stacking up against the walls of Rhys’s studio. Mostly landscapes: the Preseli Hills under lowering skies, the Teifi estuary at low tide, the Pembrokeshire cliffs captured in thick, honest brushstrokes. Everyone agreed they were beautiful. The bank statements confirmed they were unsellable.

The Bwthn Colony had eight members left. There had been twenty, once.

She walked in on a Tuesday in March, her bright American accent cutting through the warm, sharp smell of linseed oil.

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